In the first six episodes no big surprises are rolled out, at least nothing comparable to Season 3, in which Jules’s fiancé, Grayson (Josh Hopkins), learned that he had a daughter from a previous relationship and, in the two-part finale, he and Jules married. There is no cursing at the new address, but in the season’s first couple of episodes there is more potty humor than is usual.Įventually, though, everyone seems to get over whatever new license the move to cable has provided and goes back to the mix of drollness and incongruity that has made “Cougar Town” a pretty good ensemble comedy. That’s a somewhat ominous welcome, since one of the show’s strong points has always been that it flirts with bad taste but (usually) pulls up just short of it. Biegel must have done their jobs right because their child doesn’t need them anymore to continue to be what it has been all along: an eclectic comedy that is smarter than mainstream fare like “Last Man Standing” but still feels like comfort food. Show-runner duties have been turned over to Ric Swartzlander. The new season, the fourth, which begins on Tuesday night, not only finds the show at a new network - TBS instead of ABC - but also finds it without its creators, Bill Lawrence and Kevin Biegel, at the helm. Jules is talking to her son, Travis (Dan Byrd), but fans who have followed the off-camera transmutations of the series may well think the lines are some kind of metaphor for the show itself. “The whole point of having a child is to love it and to nurture it and to worry about it,” Courteney Cox’s character, Jules, says in the second episode of the new season of “Cougar Town.” “And eventually, if you’ve done your job right, the child doesn’t need you anymore.”
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